Bollywood Wishlist

 

Expectations from the Hindi Film Industry in the next decade

Tabu in The Namesake

A lot has changed in Bollywood in the last decade and most of it for good. While bad films continued to pour in like a plague, there were many innovations and experiments that took the ‘industry’ to the next level…

Good writing finally gained the importance it deserves; casting started happening according to the characters and not based on the star power, and of course the technical improvements; Bollywood flicks covered a lot of ground in the last ten years. Specifically in 2010, the industry woke up to the power of small films that shadowed the biggies and hope this trend continues where content is the king. However, with so many improvements, there are still some irritants that we can do without.

Here’s my wish-list for Bollywood in the next decade:

Better roles for better actors: There are many good actors but a lot of times they do not get the right roles to play due to silly factors like star camps, favoritism and the actors’ own choices. Case in point Rani Mukherji, a supremely talented actress who did not get any powerful roles post 2005 when she was seen in Black, Bunty aur Babli and Paheli. Hopefully No One Killed Jessica works for her and she gets better films than the Hadippas andChunari Ka Daags of the world.

Similarly for Amitabh Bachchan, it is time that he only takes up quality work and avoids films like Teen Patti, Aladinand God Tussi Great Ho. Another fine actress, Tabu deserves better roles; her performances in Maqbool, Cheeni Kum and Chandni Bar were outstanding and with The Namesake, she garnered international acclaim. She has been signed on by none other than Ang Lee for his ambitious 3D project, Life of Pi; let’s hope that Bollywood also wakes up again to her talent.

Click here to read full post that appeared on nowrunning.com on January 3.

 

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Celebrating the Duds

 

The worst of Bollywood in 2010

Pic: Tees Maar Khan

Every year Bollywood churns out hundreds of movies and hundreds of them flop; only a handful of them get acceptance and are lauded by the viewers, and even fewer by the critics. Sometimes even the bad ones work at the box-office and nobody has any explanation for that, except maybe Sajid Khan as he manages to do that every time with his films (Heyy Babyy, Housefull). While the good ones will get felicitated at the multiple award ceremonies (the eternal optimist in me still believes in them a little bit); the bad ones are forgotten except by the financier or the distributor. This article is dedicated to the worst of Bollywood in 2010. Nobody really wants to make bad films or do bad work but maybe the filmmakers and actors learn something from these disasters.

Declaration: This column is the author’s expression of the pains he suffered by watching poorly made films, badly enacted scenes and other forms of torture deployed by the Bollywood-wallahs this year. The author payed through his nose to watch these films at expensive multiplexes and thinks that it is his right to give back. Should you disagree, please read no further; if you agree, do share your views on the worst of Bollywood in 2010.

RGV Ki Aag Memorial Award for the Worst Film: and the nominees based on the author’s personal views and a quick and dirty survey, are:

  • Anees Bazmee’s No Problem – Because the audience cannot be ‘Welcomed’ in ‘No Entry’ again and again
  • Farah Khan’s Tees Maar Khan – Because Khan Khan hota hai aur Kumar Kumar
  • Mani Ratnam’s Raavan – Because we had great expectations, Sir
  • Anurag Basu’s Kites – Because the controversy around the lead pair was more interesting than the film itself
  • Leena Yadav’s Teen Patti – Because you shouldn’t try to make desi ‘21’
  • Ken Ghosh’s Chance Pe Dance – Because the dancing was so bad
  • Sajid Khan’s Housefull – Because in reality Mr. Khan it is NOT your Titanic and you can NEVER make Avatar (Sajid Khan had compared Housefull to Titanic and promised Avatar on Komal Nahta’s show on ETC Channel)
  • Priyadarshan’s Aakrosh – Because if you can’t get it right then should leave Prakash Jha to make such cinema

And the award goes to Farah Khan for Tees Maar Khan. Recognition for ‘borrowing’ the story-line of an old, Italian flick (After the Fox, 1966) and ruining it with jokes that are not funny and scenes that are just randomly put together. However, I must mention the only good thing in the film – Katrina’s item song, ‘Sheila Ki Jawani’.

Click here to read full post that originally appeared on nowrunning.com