Movies, Magic & Dreams
Movies – it’s like seeing your dreams in middle of the day. Martin Scorsese’s Hugo is a love letter from the master filmmaker to cinema. The film reminded me of why I love the movies so much and even after the end credits rolled, the magic stayed with me. A few weeks ago, Jahan Bakshi wrote a beautiful post on ‘The Joy of Crying at the Movies’ and I could not agree more… this weekend when I watched Hugo, after almost giving up on the chance of it releasing in India, I re-discovered the joy of getting lost in someone else’s dream, someone else’s vision. That is what cinema is – magic!
Hugo is based on a historical fiction book, The Invention of Hugo Cabret by American author, Brian Selznick (adapted for screen by John Logan). It follows the adventures of a young orphan boy, Hugo Cabret (Asa Butterfield) who lives between the walls of a railway station in Paris. Hugo likes to fix things and maintains the clocks in the station, something his alcoholic uncle is supposed to do. His purpose is to fix an automaton, a robot like mechanical man that can write, in the hope of finding a message from his father (Jude Law), a master clockmaker who died in a museum fire. He is joined in this adventure by a young girl, Isabelle (Chloë Grace Moretz) who is the goddaughter of Georges Méliès (Ben Kingsley), a toy shop owner at the station. While trying to retrieve a message from his father, Hugo finds another purpose – to fix a man who has lost his raison d’être in life. There are many other fascinating characters in Hugo’s world, including the station inspector, Gustave (Sacha Baron Cohen); the florist, Lisette (Emily Mortimer); the café owner, Madame Emile (Frances de la Tour); the bookshop owner, Monsieur Labisse (Christopher Lee); newsstand owner, Monsieur Frick (Richard Griffiths); Papa Georges’ wife, Mama Jeanne (Helen McCrory); film historian and author, René Tabard (Michael Stuhlbarg) and Macmillan, the station inspector’s Doberman (Blackie).
Hugo is technically perfect and has the best 3D I have ever seen. Unlike other films where 3D is a gimmick to raise ticket prices, the technology is used well to aid the narrative in this film. Martin Scorsese takes you inside Hugo’s world and you can’t help but admire each frame. From the depths of the clock tower to the intricate clockwork of the automaton, to the soot from a burnt notebook, everything looks and feels spectacular in 3D. Cinematography by Robert Richardson is simply magical and takes you to the Paris of 1930s with music by Howard Shore and art direction by a team of master craftsmen.
Grand in scale and imagination, Hugo is a very personal film that showcases the passion of a filmmaker as well as the characters in his film. The film moves slowly and lets you soak into the ambience created. Despite its leisurely pace, I can assure you that you wouldn’t want the film to end and would catch yourself admiring the work on-screen with a smile plastered on your face.
Watch Hugo in 3D on the big screen, the way it is intended to be seen and you’ll experience the real magic of cinema.
Hats off Monsieur Scorsese!