No One Killed Jessica

 

 

Pic source: UTV Spotboy

Power… this one thing that is more abused in our country than it is used for what it’s meant for. From politicians to traffic cops to telephone linemen to the relatives of a bureaucrat; everybody is somebody in our country. The film, No One Killed Jessica opens with the same thought, albeit about the city of Delhi. Delhi, where no one killed Jessica Lall and no one killed Aarushi Talwar. Is it the city or is it the people or is it the system? Director, Raj Kumar Gupta’s second film after the very well made Aamir (2008) tries to ask the same question. No One Killed Jessica is a great attempt at making a hard hitting and brave film based on a real life incident that shook the nation’s conscience. I say a great attempt as the film makes a point but beyond the emotion, it falls short of achieving cinematic excellence.

The film opens with a spectacular credits sequence with the sensational ‘Dilli Dilli…’ track that sets the tone of the film. In fact, the music by Amit Trivedi with Amitabh Bhattacharya’s lyrics is the film’s one of the biggest strengths. Talking about strengths, the film’s leading ladies, Vidya Balan and Rani Mukerji shine as Sabrina Lall and Meera Gaity, a journalist with striking similarities to NDTV’s Barkha Dutt, respectively. The first half of the film belongs to Vidya who sensitively portrays a girl in her twenties who is vulnerable and at the same time determined to get justice for her sister’s murder. Rani makes a powerful comeback with a fiery character and once again shows what a powerhouse of talent she is. I only wish that she was made to scream a little less.  Rajesh Sharma as the chief investigative officer on the Jessica Lall murder case also deserves a special mention; he is believable as a frustrated cop.

With a powerful subject, good performances and a superb soundtrack, No One Killed Jessica could have been an outstanding film. However, the film is not consistent and has its fabulous and dull moments. The film really moves you but also drags in parts; some of the court sequences actually make you cringe due to the way they are shot with extreme close-ups. The film could have been fifteen minutes shorter for a much more impactful narrative (screenplay – Raj Kumar Gupta; editing – Aarti Bajaj). Having said that, hats off to the director and the producers, UTV Spotboy for making a relevant film like this. It is the right time for Hindi cinema to experiment and present real or realistic stories on screen; no matter if it doesn’t have a hero, people will come to watch as I saw today in a packed theatre. I recommend watching No One Killed Jessica once for the subject matter and the great performances by the cast.

My rating: * * * Three stars on five

A note for fellow film lovers: If you are tired of film awards that are not merit based, it is time to take the decision in your hands. Presenting the Tweeple Film Awards! Truly democratic awards that are ‘Of the People’, ‘By the People’ and ‘For the People’, to honour the most deserving in Hindi Cinema 2010. It’s a movement started by film buffs on Twitter to counter the nonsense that ‘Bollywood’ film awards are.

Follow Tweeple Film Awards on Twitter:  www.twitter.com/twi_fi_awards and on Facebook: www.facebook.com/twifiawards. You can also email on twifiawards@gmail.com


Bollywood Wishlist

 

Expectations from the Hindi Film Industry in the next decade

Tabu in The Namesake

A lot has changed in Bollywood in the last decade and most of it for good. While bad films continued to pour in like a plague, there were many innovations and experiments that took the ‘industry’ to the next level…

Good writing finally gained the importance it deserves; casting started happening according to the characters and not based on the star power, and of course the technical improvements; Bollywood flicks covered a lot of ground in the last ten years. Specifically in 2010, the industry woke up to the power of small films that shadowed the biggies and hope this trend continues where content is the king. However, with so many improvements, there are still some irritants that we can do without.

Here’s my wish-list for Bollywood in the next decade:

Better roles for better actors: There are many good actors but a lot of times they do not get the right roles to play due to silly factors like star camps, favoritism and the actors’ own choices. Case in point Rani Mukherji, a supremely talented actress who did not get any powerful roles post 2005 when she was seen in Black, Bunty aur Babli and Paheli. Hopefully No One Killed Jessica works for her and she gets better films than the Hadippas andChunari Ka Daags of the world.

Similarly for Amitabh Bachchan, it is time that he only takes up quality work and avoids films like Teen Patti, Aladinand God Tussi Great Ho. Another fine actress, Tabu deserves better roles; her performances in Maqbool, Cheeni Kum and Chandni Bar were outstanding and with The Namesake, she garnered international acclaim. She has been signed on by none other than Ang Lee for his ambitious 3D project, Life of Pi; let’s hope that Bollywood also wakes up again to her talent.

Click here to read full post that appeared on nowrunning.com on January 3.