Luv Shuv Tey Chicken Khurana

The case of the missing ‘masala’

Pic Source: Wikipedia

Bollywood has made a habit of churning out irresistibly fun trailers for films that are ordinary at best. The funniest parts of the films are incorporated in the two-and-a-half minute preview and the rest of the 118-minutes dull minutes are served after you shell out a hefty sum for the ticket. That’s the problem with director, Sameer Sharma’s first film, Luv Shuv Tey Chicken Khurana (LSTCK). It is not a bad film but does not live up to what one expected after watching the trailer.

LSTCK has a very interesting premise with a man looking for his grand-father’s secret recipe for the famous dish of Chicken Khurana (Hollywood can think about making Ocean’s Fourteen where Clooney and friends go about stealing the secret recipe of KFC’s fried chicken or Coke’s formula). With this interesting premise and a few interestingly written characters, the film is watchable and enjoyable in parts. But it lacks the chutzpah of a fun film with Punjabis as main characters like Vicky Donor, Khosla Ka Ghosla or Oye Lucky Lucky Oye.

Kunal Kapoor plays Omi, a Punjabi guy in London who returns to his village in Punjab to get some money from his family to pay off his debts – a family that he abandoned ten years ago. However, he finds that the source of his family’s fortune – the famous dhaba (highway restaurant), Chicken Khurana, named after his Daarji (grandfather) and his popular chicken dish – is now shut. Daarji (Vinod Nagpal) now suffers from Alzheimer’s disease and no one else has the secret recipe for the dish. He also meets his cousin Jeet (Rahul Bagga) who has a secret of his own; his childhood sweetheart, Harman (Huma Qureshi) who is now engaged to Jeet; his maternal uncle, Titu Mama (Rajesh Sharma) and a great-aunt, Buaji (Dolly Ahluwalia) who is a self-proclaimed spiritual guru.

Writers (Sharma and Sumit Batheja) have developed some good characters but been unable to give them enough witty lines and situations. There is a scene where the whole family expresses concern over Omi not having a change of underwear; then there are a few with Titu Mama that leave you laughing out loud. But that’s about it; the emotional scenes do not do much for you and Omi and Harman’s romance also does not have that spark. The revelation of Chicken Khurana’s recipe is an interesting twist though.

Casting (Mukesh Chhabra) for the film is perfect except for one major role which is Omi’s. I like Kunal Kapoor a lot and his sincerity and charm worked well in Rang De Basanti. However, he seems a misfit in the role of a rascal in this film. Rajesh Sharma as Titu Mama is the highlight of the film and Huma Qureshi has an amazing screen presence. Music by Amit Trivedi is largely based on Punjabi folk and goes well with the film but nothing memorable.

Overall, LSTCK is an average entertainer but I wonder if you’d choose this one over Mr. Bond’s next adventure that hits the theatres on the same day.

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No One Killed Jessica

 

 

Pic source: UTV Spotboy

Power… this one thing that is more abused in our country than it is used for what it’s meant for. From politicians to traffic cops to telephone linemen to the relatives of a bureaucrat; everybody is somebody in our country. The film, No One Killed Jessica opens with the same thought, albeit about the city of Delhi. Delhi, where no one killed Jessica Lall and no one killed Aarushi Talwar. Is it the city or is it the people or is it the system? Director, Raj Kumar Gupta’s second film after the very well made Aamir (2008) tries to ask the same question. No One Killed Jessica is a great attempt at making a hard hitting and brave film based on a real life incident that shook the nation’s conscience. I say a great attempt as the film makes a point but beyond the emotion, it falls short of achieving cinematic excellence.

The film opens with a spectacular credits sequence with the sensational ‘Dilli Dilli…’ track that sets the tone of the film. In fact, the music by Amit Trivedi with Amitabh Bhattacharya’s lyrics is the film’s one of the biggest strengths. Talking about strengths, the film’s leading ladies, Vidya Balan and Rani Mukerji shine as Sabrina Lall and Meera Gaity, a journalist with striking similarities to NDTV’s Barkha Dutt, respectively. The first half of the film belongs to Vidya who sensitively portrays a girl in her twenties who is vulnerable and at the same time determined to get justice for her sister’s murder. Rani makes a powerful comeback with a fiery character and once again shows what a powerhouse of talent she is. I only wish that she was made to scream a little less.  Rajesh Sharma as the chief investigative officer on the Jessica Lall murder case also deserves a special mention; he is believable as a frustrated cop.

With a powerful subject, good performances and a superb soundtrack, No One Killed Jessica could have been an outstanding film. However, the film is not consistent and has its fabulous and dull moments. The film really moves you but also drags in parts; some of the court sequences actually make you cringe due to the way they are shot with extreme close-ups. The film could have been fifteen minutes shorter for a much more impactful narrative (screenplay – Raj Kumar Gupta; editing – Aarti Bajaj). Having said that, hats off to the director and the producers, UTV Spotboy for making a relevant film like this. It is the right time for Hindi cinema to experiment and present real or realistic stories on screen; no matter if it doesn’t have a hero, people will come to watch as I saw today in a packed theatre. I recommend watching No One Killed Jessica once for the subject matter and the great performances by the cast.

My rating: * * * Three stars on five

A note for fellow film lovers: If you are tired of film awards that are not merit based, it is time to take the decision in your hands. Presenting the Tweeple Film Awards! Truly democratic awards that are ‘Of the People’, ‘By the People’ and ‘For the People’, to honour the most deserving in Hindi Cinema 2010. It’s a movement started by film buffs on Twitter to counter the nonsense that ‘Bollywood’ film awards are.

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