Talaash

 

There are no mysteries in the age of social media…

Pic source: Wikipedia

Pic source: Wikipedia

Before you read any further: I have tried to keep this post spoiler-free and basic plot points mentioned here are already shown in the film’s trailers. However, if you are going to watch the film regardless of the reviews, I recommend reading this or any other review after you’ve seen it.

Talaash may not be the best thriller we have seen this year (my vote goes to Kahaani) but I am glad the makers (Excel Entertainment, Aamir Khan Productions and Reliance Entertainment) tried to attempt something different with the movie. It has an interesting story, great performances by the cast and an unexpected ending, which thanks to loud-mouths on social media got ruined for many including me. I feel bad for everyone who could have enjoyed the film more if they did not know about the big twist in the end. In the age of Twitter and BBM, it is a challenge for filmmakers also to make suspense thrillers that can stay strong despite the spoiler getting leaked out.

Coming back to Talaash, it is decent film that gets many things right but does not keep you at the edge of your seat. People have been complaining about its slow pace, but it worked for me; writer-director, Reema Kagti (screenplay with Zoya Akhtar) creates a mood that brings together the eeriness of a murder mystery with the personal grief that her main protagonists are going through. Inspector Surjan Singh Shekhawat (Aamir Khan) and his wife, Roshni (Rani Mukerji) are unable to cope with their 8-year-old son’s accidental death, which strains their marriage. Surjan’s investigation of a high-profile death case contributes to his personal troubles as he finds himself drawn to an unlikely friend, a prostitute named Rosie (Kareena Kapoor). Surjan and Roshni’s story is probably the strongest part of the film; their grief is portrayed sensitively by the two actors, especially Rani who has got a role that exploits her talent after very long. Kareena is also good in the film and I hope she continues to choose interesting characters like this, rather than insignificant roles in mega-blockbuster masala films. Regarding Aamir, he is excellent as a cop tormented by his own demons – on one hand he is a tough police officer and on the other a hapless father. Kudos to the casting director (Nandini Shrikent) for also getting a talented supporting cast on board including Shernaz Patel and Nawazuddin Siddiqui – now this man is a chameleon – from a revenge seeking gangster in Gangs of Wasseypur 2 to a pimp’s right-hand man in Talaash, he is a delight to watch.

With superlative performances by all the actors and an interesting plot, Talaash starts on a promising note but does not confuse the audience enough to make it an exciting affair. Surjan keeps finding clue after clue and the film moves in a straight line till the ‘unexpected’ climax. Now, I had a rough idea about the final twist but I was able to piece things together within the first ten minutes of the film. The makers relied too much on the twist, which also is not entirely a fresh idea. Because I had a clue to the end, I may not be completely fair to the film but it is a lukewarm thriller and the murder mystery unfolds in a dull manner, except the surprise element in the end.

Music by Ram Sampath goes well with the mood of the film but is not outstanding (why do most big releases this year have just about average music?) Cinematography by Mohanan is nice and he uses a dull color tone to give a dark and gloomy feel to Mumbai in the film.

Talaash is certainly a one-time watch for the actors’ performances and you may enjoy it more if you don’t know the spoiler. So, go for it before someone tells it to you.

PS: I got my spoiler from a well-known journalist, Kushan Mitra (@KushanMitra) who inadvertently revealed similarities to a Hollywood film on Twitter. So-called actor, producer, Kamaal R Khan (@KamaalRKhan) also tweeted spoilers to the film.

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Guzaarish

 

Lost in search of perfection

Guzaarish; Pic: SLB Films, UTVMP

When the promos of Guzaarish first came out, everyone expected it to be in the league of director, Sanjay Leela Bhansali’s last film, Saawariya, which sank at the box office. The reason for the comparison was the whole gloomy look and feel that the director created for the new film despite the last one giving the audience blues (literally). If Saawariya was blue-green, Guzaarish is red and black… each frame of the film is highly stylised and put together with artistic finesse. Each image can be exhibited in a gallery as art; however, these frames together fail to ignite the magic that Bhansali’s earlier works created (Hum Dil De Chuke Sanam, Black). While most disliked the film, I liked Saawariya for what it was, a moody musical and closer to a play than a film. Guzaarish once again falls in the same category and doesn’t hold together as a film as it could have. How I wish, the perfectionist filmmaker obsessed a little less with the way his film looks as little imperfections make things a bit more real.

Guzaarish tells the story of Ethan Mascarenhas (Hrithik Roshan), a renowned magician who gets confined to a wheel-chair after an accident during one of his acts turns him into a paraplegic. Despite his condition, Ethan leads a dignified life running a radio programme on how life is so beautiful and being a role model for many. One fine day he decides to say adieu and files a petition for euthanasia or mercy-killing to end his suffering. His decision puts a question on another person’s life that revolves around him, Sofia D’Souza (Aishwarya Rai Bachchan), his nurse and caretaker for the last twelve years. Sofia’s life has only one motive, which is to look after her master/patient/object of affection, Ethan and with him that may also disappear.

The film mainly revolves around Ethan and Hrithik has done a good job of creating a character who is eccentric, genius, funny, bitter and romantic in equal parts. However, there is one thing that is missing that makes a lot of difference to the film… you are unable to connect emotionally with Ethan the way you did with Michelle in Black or Rizwan in My Name is Khan. In fact, you feel more for Sofia which says a lot about the character and the way Aishwarya has portrayed it. Aishwarya emotes well and says a lot through her expressions without many dialogues; only her loud costumes distract (Sabyasachi). This is one of her best performances and I am beginning to feel that roles that require her to speak less and emote more, suit her better; case in point, Guru and Jodhaa Akbar. There is an interesting supporting cast in the film that completes the picture – Shernaz Patel as Devyani Dutta, Ethan’s lawyer is good and so is Rajit Kapoor as the public prosecutor; Aditya Roy Kapoor as an aspiring magician is as impressive or unimpressive as his last outing in Action Replayy; Nafisa Ali as Ethan’s mother is graceful and Suhel Seth as his doctor is just about tolerable (better than his prime time news appearances). Model, Monikangana Dutta’s much talked about debut in the film as Estella Francis, Ethan’s ex-girlfriend pans exactly three and a half scenes; and she doesn’t shine in them.

Coming to the technical department, music by Sanjay Leela Bhansali is termed soulful by many but I find it very average; a better soundtrack could have lifted the film a few notches up. Screenplay by Bhansali and Bhavani Iyer is extremely laidback making the film seem long even if the duration is only two hours. Sudeep Chatterjee’s cinematography is beautiful and Sumit Basu’s art direction is good as per the director’s brief; however, the heavy Portuguese hangover does not quite go with the times we live in today. Same with Sabyasachi’s costumes for Aishwarya that look beautiful for a ramp show but on a nurse, they look outlandish. I am not saying that she should have been dressed in drab clothing but the Indo-Spanish look made her look a little unbelievable.

Guzaarish has its moments and I enjoyed it in parts… the opening sequence that shows Sofia’s daily routine with Ethan is one such part and drive outside the house is another. Unfortunately, the whole here is not greater than the sum of its parts. On another level, I think that we, and I mean the audience here, do not understand the artist called Sanjay Leela Bhansali, perhaps the same way he doesn’t understand us anymore. Do watch Guzaarish if you like any of the lead actors or the director or have the patience to appreciate each picture you see on screen. Once again, Guzaarish is not a bad film but is certainly not a master stroke.

My rating: * * * Three stars on five

– Shrey Khetarpal