Guzaarish

 

Lost in search of perfection

Guzaarish; Pic: SLB Films, UTVMP

When the promos of Guzaarish first came out, everyone expected it to be in the league of director, Sanjay Leela Bhansali’s last film, Saawariya, which sank at the box office. The reason for the comparison was the whole gloomy look and feel that the director created for the new film despite the last one giving the audience blues (literally). If Saawariya was blue-green, Guzaarish is red and black… each frame of the film is highly stylised and put together with artistic finesse. Each image can be exhibited in a gallery as art; however, these frames together fail to ignite the magic that Bhansali’s earlier works created (Hum Dil De Chuke Sanam, Black). While most disliked the film, I liked Saawariya for what it was, a moody musical and closer to a play than a film. Guzaarish once again falls in the same category and doesn’t hold together as a film as it could have. How I wish, the perfectionist filmmaker obsessed a little less with the way his film looks as little imperfections make things a bit more real.

Guzaarish tells the story of Ethan Mascarenhas (Hrithik Roshan), a renowned magician who gets confined to a wheel-chair after an accident during one of his acts turns him into a paraplegic. Despite his condition, Ethan leads a dignified life running a radio programme on how life is so beautiful and being a role model for many. One fine day he decides to say adieu and files a petition for euthanasia or mercy-killing to end his suffering. His decision puts a question on another person’s life that revolves around him, Sofia D’Souza (Aishwarya Rai Bachchan), his nurse and caretaker for the last twelve years. Sofia’s life has only one motive, which is to look after her master/patient/object of affection, Ethan and with him that may also disappear.

The film mainly revolves around Ethan and Hrithik has done a good job of creating a character who is eccentric, genius, funny, bitter and romantic in equal parts. However, there is one thing that is missing that makes a lot of difference to the film… you are unable to connect emotionally with Ethan the way you did with Michelle in Black or Rizwan in My Name is Khan. In fact, you feel more for Sofia which says a lot about the character and the way Aishwarya has portrayed it. Aishwarya emotes well and says a lot through her expressions without many dialogues; only her loud costumes distract (Sabyasachi). This is one of her best performances and I am beginning to feel that roles that require her to speak less and emote more, suit her better; case in point, Guru and Jodhaa Akbar. There is an interesting supporting cast in the film that completes the picture – Shernaz Patel as Devyani Dutta, Ethan’s lawyer is good and so is Rajit Kapoor as the public prosecutor; Aditya Roy Kapoor as an aspiring magician is as impressive or unimpressive as his last outing in Action Replayy; Nafisa Ali as Ethan’s mother is graceful and Suhel Seth as his doctor is just about tolerable (better than his prime time news appearances). Model, Monikangana Dutta’s much talked about debut in the film as Estella Francis, Ethan’s ex-girlfriend pans exactly three and a half scenes; and she doesn’t shine in them.

Coming to the technical department, music by Sanjay Leela Bhansali is termed soulful by many but I find it very average; a better soundtrack could have lifted the film a few notches up. Screenplay by Bhansali and Bhavani Iyer is extremely laidback making the film seem long even if the duration is only two hours. Sudeep Chatterjee’s cinematography is beautiful and Sumit Basu’s art direction is good as per the director’s brief; however, the heavy Portuguese hangover does not quite go with the times we live in today. Same with Sabyasachi’s costumes for Aishwarya that look beautiful for a ramp show but on a nurse, they look outlandish. I am not saying that she should have been dressed in drab clothing but the Indo-Spanish look made her look a little unbelievable.

Guzaarish has its moments and I enjoyed it in parts… the opening sequence that shows Sofia’s daily routine with Ethan is one such part and drive outside the house is another. Unfortunately, the whole here is not greater than the sum of its parts. On another level, I think that we, and I mean the audience here, do not understand the artist called Sanjay Leela Bhansali, perhaps the same way he doesn’t understand us anymore. Do watch Guzaarish if you like any of the lead actors or the director or have the patience to appreciate each picture you see on screen. Once again, Guzaarish is not a bad film but is certainly not a master stroke.

My rating: * * * Three stars on five

– Shrey Khetarpal

 

Advertisements

Romance On Screen

 

Before Sunrise, Before Sunset
and some of the best celluloid romances

Before Sunrise; Picture Courtesy: www.movieposter.com

Before Sunrise; Picture Courtesy: http://www.movieposter.com

I watched two beautiful films today, Before Sunrise (1995) and its sequel, Before Sunset (2004) starring Ethan Hawke and Julie Delpy. ‘Before Sunrise’ is about an American guy, Jesse (Hawke) and a French girl, Celine (Delpy) who meet on a train in Europe. They decide to spend an evening together, exploring the city (Vienna) before going their own ways in the morning. As they spend time together, talking to each other about things ranging from the gender war, sex, family, ex-boyfriend/girlfriend and more, they fall in love. However, they realise that they have different lives in different parts of the world and only have that one evening to spend together. They do not want to end what they have started and promise to see each other after six months at the same place, the train station. That is how the film ends and it is up to the viewer to decide whether they meet or not. There are only these two characters and the whole film is about the conversations they have. That is where the brilliance of the film lays, the script (Richard Linklater and Kim Krizan) and the effortless acting by the lead pair. You almost believe that these are two people who have just met and you get to know them better as each scene unfolds.

Director, Richard Linklater returns with the sequel, ‘Before Sunset’ with the same mood that the first film had set, nine years earlier (Delpy and Hawke share the writing credits with Linklater in this one). Set in Paris this time, Jesse and Celine meet again and as earlier, they have a few hours before Jesse returns to America. The film retains the freshness of the first one with an equally engaging screenplay. I strongly recommend both these films to all, even those who are not big fans of romantic films.

On the topic of celluloid romance, let me list down some fine romantic films both in Hollywood and Bollywood (fairly recent ones)…

Pic: WikipediaPic: movieposter.com
pics: movieposter.com

As Good As It Gets  (1997) – It is a comedy and a romance but not like any other rom-coms that Hollywood produces. A homophobic-racist-OCD suffering novelist, a waitress who is a single mother, a gay artist and a dog… this is a weird film. Jack Nicholson, Helen Hunt and Greg Kinnear give performances that light up the screen. I have only one word to describe this film: supercalifragilisticexpialidocious!

Shakespeare In Love (1998) – Was Shakespeare in love when he wrote Romeo & Juliet? Joseph Fiennes as Will Shakespeare and Gwyneth Paltrow as his muse are a delight to watch. Judi Dench, Ben Affleck, Colin Firth and Geoffrey Rush form a brilliant supporting cast.

Pic: movieposter.com

pic: movieposter.com

Love Story (1970) – Ok, this film is not that new but it inspired many more romantic movies, especially in India. Rich boy (Ryan O’Neal) meets poor girl (Ali MacGraw), they fall in love and marry against his parents’ wishes… the girl dies of leukemia. One of most romantic and tragic films, it is scripted by Erich Segal who wrote his best-selling novel of the same name while the film was being made. Francis Lai’s background score is simply outstanding.

Dirty Dancing (1987) – A girl-meets-boy story with dance as the backdrop… Jennifer Grey and Patrick Swayze star in this stellar film with a fantastic background score (remember the song, ‘Time of my life’) and dance sequences.  

Pretty Woman (1990) – Ladies and gentlemen… presenting Julia Roberts. By the way, Richard Gere was also there. Everything about this film is iconic… this is the baap of so-called ‘chick flicks’.

Pic: movieposter.com  

pics: movieposter.com

Pride and Prejudice (1995) – Not the one starring Keira Knightley, actually I am not talking about the film. I am talking about BBC’s short series starring Jennifer Ehle and Colin Firth. With six hour-long episodes, the series does full justice to Jane Austen’s most famous novel. The tension between Darcy and Lizzy, the witty exchanges and the feel of that era is very well captured here. CD / DVD sets are easily available at all leading music/film stores.

Pic: bbc.co.uk
Pride and Prejudice; Pic: bbc.co.uk

Lamhe (1991) – This film is the reason behind me writing this blog. I watched it first when I was just eight years old. I loved the colours, the funny portions in the second half set in London; as I grew up and watched it again and again, I understood the film and the emotions. This is probably Yash Chopra’s finest film till date and also one of the biggest commercial flops of his career. While it failed in India, Lamhe worked extremely well in the UK and other overseas market. Written by Honey Irani, the film has career best performances by Sridevi and Anil Kapoor. The film is about unexpressed love and has a complicated plot involving a girl who loves a much older man, who was in love with her mother. The film was even labeled incestuous at the time of its release. 

Pic: planetbollywood.com

Lamhe; pic: planetbollywood.com

Dilwale Dulhania Le Jayenge (1995) – Jesse aka Ethan Hawke met Celine aka Julie Delpy on a Eurorail journey in Before Sunrise; in the same year Raj (Shah Rukh Khan) met Simran (Kajol) on a Eurorail trip again. Aditya Chopra’s DDLJ changed the way Bollywood made films… NRIs came into focus and Indian values were in vogue again. Simran wanted to elope with Raj and her mother was more than willing to help; Raj on the other hand wanted her father’s blessings…  

DDLJ; Pic: planetbollywood.com

DDLJ; pic: planetbollywood.com

Hum Tum (2004) – When Harry Met Sally meets Before Sunrise meets Before Sunset… there is not much original about the film apart from the chemistry between the lead pair. Rani Mukherjee dominates every frame in which she appears, sidelining Saif Ali Khan who also does a good job. It is probably the first Hindi film where the heroine does not think that pre-marital sex is a good enough reason to get married.

Hum Tum; Pic: planetbollywood.com

Hum Tum; pic: planetbollywood.com

Saathiya (2002) – What happens when Mani Ratnam (Producer, Screenplay), Yash Chopra (Producer), A R Rahman (Music), Gulzar (Lyrics, Dialogues), Anil Mehta (Cinematography) and Rani Mukherjee get together for a film? Saathiya takes an intimate and realistic look at a young married couple’s life. First time director, Shaad Ali did a great job and so did the lead pair, Rani and Vivek Oberoi.

Saathiya; Pic: planetbollywood.com

Saathiya; pic: planetbollywood.com

Silsila (1981) – Another Yash Chopra romance that failed to set the cash registers ringing. Just like Lamhe, it is one of his finest works. Amitabh Bachchan is married to Jaya Bachchan and Rekha is married to Sanjeev Kumar; yet sparks fly between Rekha and Amitabh. Fact and fiction merged with this extra marital affair saga. As a nation are we not ready to see infidelity on screen? Both Silsila and Karan Johar’s recent Kabhi Alvida Na Kehna faced criticism due to the same reason.

Silsila; Pic: planetbollywood.com

Silsila; pic: planetbollywood.com

These are some of my favourite romantic flicks. Interestingly all Hindi ones have come out from the same production house, Yash Raj Films. Some of the other romantic movies I like include Notting Hill (1999), Four Weddings and a Funeral (1994), Titanic (1997), Chandni (1989; Yash Raj again), Hum Dil De Chuke Sanam (1999) and Saawariya (2007), amongst others. Do share what you think about these films and any others that you think fit the list.

– Shrey Khetarpal