Talaash

 

There are no mysteries in the age of social media…

Pic source: Wikipedia

Pic source: Wikipedia

Before you read any further: I have tried to keep this post spoiler-free and basic plot points mentioned here are already shown in the film’s trailers. However, if you are going to watch the film regardless of the reviews, I recommend reading this or any other review after you’ve seen it.

Talaash may not be the best thriller we have seen this year (my vote goes to Kahaani) but I am glad the makers (Excel Entertainment, Aamir Khan Productions and Reliance Entertainment) tried to attempt something different with the movie. It has an interesting story, great performances by the cast and an unexpected ending, which thanks to loud-mouths on social media got ruined for many including me. I feel bad for everyone who could have enjoyed the film more if they did not know about the big twist in the end. In the age of Twitter and BBM, it is a challenge for filmmakers also to make suspense thrillers that can stay strong despite the spoiler getting leaked out.

Coming back to Talaash, it is decent film that gets many things right but does not keep you at the edge of your seat. People have been complaining about its slow pace, but it worked for me; writer-director, Reema Kagti (screenplay with Zoya Akhtar) creates a mood that brings together the eeriness of a murder mystery with the personal grief that her main protagonists are going through. Inspector Surjan Singh Shekhawat (Aamir Khan) and his wife, Roshni (Rani Mukerji) are unable to cope with their 8-year-old son’s accidental death, which strains their marriage. Surjan’s investigation of a high-profile death case contributes to his personal troubles as he finds himself drawn to an unlikely friend, a prostitute named Rosie (Kareena Kapoor). Surjan and Roshni’s story is probably the strongest part of the film; their grief is portrayed sensitively by the two actors, especially Rani who has got a role that exploits her talent after very long. Kareena is also good in the film and I hope she continues to choose interesting characters like this, rather than insignificant roles in mega-blockbuster masala films. Regarding Aamir, he is excellent as a cop tormented by his own demons – on one hand he is a tough police officer and on the other a hapless father. Kudos to the casting director (Nandini Shrikent) for also getting a talented supporting cast on board including Shernaz Patel and Nawazuddin Siddiqui – now this man is a chameleon – from a revenge seeking gangster in Gangs of Wasseypur 2 to a pimp’s right-hand man in Talaash, he is a delight to watch.

With superlative performances by all the actors and an interesting plot, Talaash starts on a promising note but does not confuse the audience enough to make it an exciting affair. Surjan keeps finding clue after clue and the film moves in a straight line till the ‘unexpected’ climax. Now, I had a rough idea about the final twist but I was able to piece things together within the first ten minutes of the film. The makers relied too much on the twist, which also is not entirely a fresh idea. Because I had a clue to the end, I may not be completely fair to the film but it is a lukewarm thriller and the murder mystery unfolds in a dull manner, except the surprise element in the end.

Music by Ram Sampath goes well with the mood of the film but is not outstanding (why do most big releases this year have just about average music?) Cinematography by Mohanan is nice and he uses a dull color tone to give a dark and gloomy feel to Mumbai in the film.

Talaash is certainly a one-time watch for the actors’ performances and you may enjoy it more if you don’t know the spoiler. So, go for it before someone tells it to you.

PS: I got my spoiler from a well-known journalist, Kushan Mitra (@KushanMitra) who inadvertently revealed similarities to a Hollywood film on Twitter. So-called actor, producer, Kamaal R Khan (@KamaalRKhan) also tweeted spoilers to the film.

Zindagi Na Milegi Dobara

Philosophy, fun and travel porn… 

Pic: Excel Ent; Source: Wikipedia

Zoya Akhtar (director) gave us Luck By Chance, a beautiful and sensitive film that sadly not many watched… I guess she realized that her off-beat sensibilities need better commercial sheen to appeal to a wider audience in India. Her next film, Zindagi Na Milegi Dobara (ZNMD) is not a regular potboiler but is packaged like one (smarter though) with beautiful people who travel first class, buy Birkins and drive through exotic locations in vintage cars.

Zindagi Na Milegi Dobara is a film about friendship and discovering what you want from life… after all you only get to live once. It is a story about three friends on a road trip that changes their lives; it is a simple plot but the way it is presented is what makes all the difference (screenplay: Zoya and Reema Kagti).  The film has a light mood, many fun moments and you are constantly reminded that there’s one life to live. All this is packaged beautifully in an extended Spain Tourism show-reel! No, I am not complaining. It is almost like travel porn where beautiful images just keep coming on the screen and you start dreaming about visiting the place (cinematography: Carlos Catalan); from bright yellow corals in blue waters to wild horses running along your car; art galleries, charming cafés to the world’s biggest food fight, La Tomatina.

At about 135 minutes, the film is a bit too long and a little bit of brutal editing would have helped (editing: Anand Subaya); but at the same time the film’s relaxed pace lets you enjoy the moments and the visuals. Dialogues by Farhan Akhtar are witty and bring a smile to your face; a lot of the scenes remind you of your conversations with your friends. That’s where ZNMD wins, the film doesn’t try too hard to make you laugh or cry; it just involves you in what’s happening.

The actors have all done a fine job with Kalki and Katrina emerging as surprise packages. They fit the characters perfectly; Kalki of a SOBO girl who loves her Chanels and Hermés and is possessive of her fiancé; and Katrina of a half-Indian fashion student cum diving instructor. Both the girls appear quite natural and you don’t mind their accents as well. Amongst the boys, Farhan walks away with the coolest lines, except the poetry that wasn’t really required; Abhay is cool and Hrithik is alright. I say alright, because he’s done a fine job except a few scenes where you wonder if the brief to him was to over-act (look out for a scene involving a video-call with a Japanese client). Spanish actress, Adriana Cabrol has a small and likeable role.

Music by Shankar, Ehsaan & Loy grows on you (lyrics: Javed Akhtar); while ‘Dil Dhadakne Do’, ‘Ik Junoon’ and ‘Senorita’ songs have become extremely popular, ‘Khaabon Ke Parindey’ is a beautiful track that stays with you (vocals: Alyssa Mendonsa and Mohit Chauhan). The only funny piece in the otherwise likeable background score is a little instrumental piece from ‘Saare Jahan Se Accha Hindustaan Hamara’ that plays right before the lead actors go for sky-diving.

Overall, ZNMD is an enjoyable film if you don’t get irritated with the whole lifestyle-of-the-rich-and-famous presentation. It has an interesting theme and of course the USP, the breathtakingly beautiful, Spain. 

Nos vemos en España amigos.

My rating: *** ½ Three and a half on five

Pic: Excel Entertainment