Yeh Jawaani Hai Deewani

“It’s not what a movie is about, it’s how it is about it”

Yeh Jawaani Hai Deewani;
Pic Source: Wikipedia

Writer-Director, Ayan Mukerji has done something interesting with his second film, Yeh Jawaani Hai Deewani (his first was the lovely coming-of-age film Wake Up Sid); he has used everything that a typical Bollywood preppy romance has and still managed to keep the film fresh and entertaining. With a predictable screenplay, he has made a film that the country is falling in love with. Partly, the credit goes to the film’s leading man, Ranbir Kapoor who is finally filling the gap left wide open by the erstwhile King of Romance, Shah Rukh Khan. A line in Ayan’s film describes the young Kapoor scion perfectly… “yeh andar se jitna kameena hai, shakal utni hi shareef hai” (he is a roguish devil with an innocent face). He is a perfect mix of talent and other star qualities, just what the Cine-Doctor prescribed for Bollywood. Coming back to the film, it works at many levels and you are able to forget about something called a new story!

Roger Ebert once said, “It’s not what a movie is about, it’s how it is about it”, and Yeh Jawaani Hai Deewani is a perfect example. It is a rom-com with a story-line we have seen in many Bollywood films, especially the ones featuring Shah Rukh… heck, we have also seen similar locations and styling. But Ayan’s film shines as it has heart and you don’t mind tagging along with these good looking youngsters in gorgeous designer clothes as they discover themselves, realize their dreams and fall in love. The film looks at first-world-problems that the affluent urban youth face, which proves why the film is doing roaring business in multiplexes and even in the international markets. It offers three-hours of escape from work, studies and the other big issues like “he/she-never-called-back”… isn’t that what most people look for in entertainment? A part of me says no but a bigger part crushes that and says, “Hell YES!”

Despite all the gloss and filmy formulas, Ayan succeeds in building likable characters and creates moments with the right amount of sweetness. That’s what differentiates Yeh Jawaani Hai Deewani from other cookie cutter romances. Bunny aka Kabir Thapar (Ranbir Kapoor) is an ambitious youngster who wants to see the world and has no time or inclination to settle down; geeky Naina Talwar (Deepika Padukone) discovers her inner heroine, falls in love but wants a simple, rooted life; Aditi (Kalki Koechlin) is spunky, behaves like her guy friends but is a romantic at heart; and Avi (Aditya Roy Kapoor) doesn’t want to grow up. These four take a trip of a lifetime and we just enjoy a memorable holiday with them in Manali (shot in Gulmarg, Kashmir actually) till the intermission.

What next? A wedding, of course. Designers, Manish Malhotra and Samidha Wangnoo bring out the best of Spring Summer 2013 wedding collection – their clothes worn by some of the best looking actors in Bollywood. This display of couture takes place at an equally lavish setting, the Udaivilas Palace in Udaipur, Rajasthan. Party after party, ceremony after ceremony and song after song, we proceed towards the climax. Am I complaining? Not at all! In between all this, the director manages to sneak in lovely moments about friendship, loyalty, romance and heart-break.

Songs in the film are beautifully choreographed (Remo D’Souza, Farah Khan) and well performed by the actors. Pritam’s music is good and Amitabh Bhattacharya’s lyrics are catchy… watch the film and try getting “Balam Pichkari” and “Badtameez Dil” out of your head. Talking about the look of the film, full-crowd-applause for cinematographer, V Manikanandan, and Amrita Mahal Nakai with Rajnish Hedao for production design. Akiv Ali (editor) could have chopped the film a bit more, especially the serious part towards the end (ok, ok I enjoyed the song and dance much more), but it’s not an issue. The film has its flaws but I had so much fun that all those small issues can be ignored.

Yeh Jawaani Hai Deewani is a fun film, it is not great cinema but is a good entertainer. I promise, you’d come out smiling from the theatre.

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Nautanki Saala

The joke is on us…

Nautanki Saala
Pic Source: Wikipedia

Really! Vicky Donor is a big hit? The lead actor, Ayushmann Khurrana has become an overnight star!
Women like him and men relate to him. Let’s make a film with him. Story? Ok, let’s sign him first and then we’ll find a story. Ok.

You remember the makers of Bheja Fry adapted a French comedy?
Let’s do that and make a fun, small budget film with Khurrana… it will be our little-big film of 2013.

Heard of this funny French film, Après Vous? It means After You. It’s about a guy who saves another guy from committing suicide. The one who wanted to die is a total train-wreck and our hero decides to help him by giving him work and winning his girl back. Ok, what else? A love triangle! Ok, that sounds good; we can throw in some songs. Perfect.

So Ayushmann plays the nice guy; who plays the loser? Kunaal Roy Kapoor, remember his ridiculously funny performance in Delhi Belly? Perfect. And the girls? Anyone will do really as our film is about these two guys. Ok. In the French film, the lead character was a restaurant manager… that’s not very exciting in India, what do we do? We’ll make him a theatre actor and director. That way, we can play with the costumes and create a more whimsical mood. Sounds like a plan. Let’s start shooting. Done.

Lights, camera, action.

“Nautanki Saala” – a new comedy starring Ayushmann Khurrana and Kunaal Roy Kapoor

Selling proposition – a bromance… a comedy of errors… a film for all… a multiplex hit!

Premiere.

Film review:

How much can Ayushmann do to save a drab of a film?

Didn’t they see Après Vous’ Rotten Tomatoes rating before remaking it? Rotten at 57%

Dear Mr. Rohan Sippy, did you think you can make a good film inspired by a mediocre one?

Actually, why blame you when the Indian viewers help mediocre films become big hits.

Look at Dabangg 2… it was essentially a collage of left-over scenes from Dabangg.

Coming back to Nautanki Saala; the film has its moments, has a few jokes to laugh at. First forty-five minutes are good but then the next ninety are painful. Why didn’t they make an hour-long tele-film instead?

Ayushmann Khurrana plays Ram Parmar or RP, the Good Samaritan. He acts well and is likable but tries too hard to save the film. And those Angry Bird slippers!

Kunaal Roy Kapoor plays Mandar Lele, the loser. He is a talented actor and will do better with good scripts.

Other good stuff – Using “So Gaya Yeh Jahan, So Gaya Aasman” from the film, Tezaab in a remix version. Sulbha Arya as Ajji, Mandar’s brutally honest grandmother.

Girl 1 – Chitra played by Gaelyn Mendonca. She can act but is quite irritating in the film.

Girl 2 – Sita played by Evelyn Sharma. The brief to her was to look hot and she did.

Girl 3 – Nandini played by Pooja Salvi. Her scenes can be used in film school to show what not to do.
Check out the scenes where she tries to cry.

Cameo by Abhishek Bachchan – bleh!

They made a comedy film keeping in mind our intellect. Dear Hindi film audience, the joke is on us.