The Magic of Kapoor, Rahman & Chauhan
Imtiaz Ali’s Rockstar features three rockstars – the leading actor, Ranbir Kapoor in his best performance till date; A R Rahman with a brilliant soundtrack and Mohit Chauhan, whose vocals infuse magic in Rahman’s score and Kapoor’s performance. The other thing that works and does not work in equal parts is the film’s screenplay by Ali. The film has a good premise and the first half is engaging; however, the second half drags and you want it to get over quickly.
Writer-director, Imtiaz Ali knows how to handle romance well and like his earlier films (Socha Na Tha, Jab We Met, Love Aaj Kal),
Rockstar also features confused lovers who separate and then re-discover love for each other. However, this film is as much about music, as it is a love story. The film’s most memorable and impactful parts are about Ranbir’s musical journey… from a young aspiring singer who is not sure what his music is lacking to the heart-broken, frustrated and bitter rockstar who does not like himself. Coming back to the love story; while there is Ali’s tried & tested formula and Ranbir’s passionate portrayal of someone madly in love; the romance in the film does not work, mainly because of the leading lady, Nargis Fakhri. She looks beautiful but her complete inability to act does not allow you as a viewer to feel for her character. She fails to bring alive the exuberance of a free-spirited college girl as well as the tragedy of a woman in a doomed romance.
Ranbir Kapoor as Janardhan Jakhar, a young Jat boy from Delhi is charming and endearing. His mispronunciation of English words and the Haryanvi accent highlight the character’s innocence and simplicity. As an actor Ranbir soars as he makes an effortless transition from Janardhan to Jordan – a rising musician to a rebellious star. He brings in a lot of passion and sincerity in his performance, which becomes the film’s biggest strength. Special mention for the film’s stylist, Aki Narula who has done a brilliant job in building the character; he presents Janardhan in cheap denims and hand-knit sweaters, and Jordan in a disheveled, eclectic look.
The film is full of memorable moments and most of them are linked to its beautiful soundtrack (lyrics: Irshad Kamil). True to the film’s title, A R Rahman uses a lot of guitar in the score but the real magic comes alive with the use of sufi, folk and classical forms. The instrumental, ‘Dichotomy of Fame’ shot with Ranbir on guitar and the late Shammi Kapoor on shehnai is pure cinematic and musical genius (Balesh on shehnai & Kabuli on guitar). ‘Sadda Haq’ by Mohit Chauhan has already reached the levels of a youth anthem; ‘Nadaan Parinde’ with Rahman and Chauhan’s vocals grows on you and so does ‘Katiya Karun’ (Harshdeep Kaur & Sapna Awasthi). However, the big music moment of Rockstar that does not leave your mind long after the film is over, is the sufi track, ‘Kun Faya Kun’ with Rahman, Chauhan and Javed Ali’s voice and a brilliantly shot video at Hazrat Nizamuddin Dargah in Delhi. With nine out of the fourteen tracks featuring his vocals, it is undoubtedly Chauhan’s big album; he brings alive the pain and the agony that matches Kapoor’s sincere performance brilliantly.
While Kapoor, Rahman and Chauhan took the film to the next level; the film’s tedious length, sloppy second half and Ms. Fakhri’s acting pulled it down. Rockstar is a film that could have been great cinema but is still a great piece of art in many departments. It is a film to watch and to watch it in a theatre to experience the music in Dolby digital sound and no less…
My rating for the film: *** ½ Three and a half on five