Open letter to Shah Rukh Khan…
Dear Shah Rukh Khan,
Firstly congratulations for the spectacular opening of Ra.One and hope you manage to recover all the money you spent on the film. Not because it is a good film, but because you dared to dream and put your might behind a risky venture. You said it right, if you don’t make mega budget blockbusters in Bollywood, then who will?
Coming to the film, it is a major disappointment but don’t worry the masses in India are used to watching not-so-great or even silly films as long as they have their favourite stars; take the example of the recent Salman starrers, Ready & Bodyguard, and Rajnikanth’s Robot. Also, your film is a lot better than Shirish ‘Fizzle’ Kunder and Farah Khan’s masterpiece, Tees Maar Khan and Bollywood’s last sci-fi outing, Love Story 2050 (how I shudder at the thought of that film!)
You must praise your marketing team that kept the buzz alive around the film for over seven months. They did their job a little too well, as by the end of it, the whole country said, “Please stop, we’ll watch Ra.One”. They deserve a bonus. Others who deserve praise are your special effects team for creating some good sequences; I particularly like the scene where Ra.One regenerates with little Lego like digital cubes (too big to be called pixels). The few action scenes in the film are also nice and I hope the folks at Volkswagen are happy the way their cars were smashed. Kareena Kapoor did her best to look good and sizzle the screen in the Chammak Challo song; I believe that was the brief to her! Her make-up artist went beyond the brief to make her look smashing with blow-dried hair after she is rescued from a train wreck. Your villain, Arjun Rampal deserves a big fat bonus too as he proved to be the best thing about the film. Pity he didn’t get too much screen time.
Now coming to those whose payment you should put on hold. The director, Anubhav Sinha; firstly why did you hire him to lead a 150-crore project? His last film was called Cash, which didn’t earn any cash at the box-office! If it was because he wrote the story, that’s not an acceptable excuse as the story was nothing great with a concept borrowed from Hollywood (yes, we all watched Tron Legacy if not the original Tron). He did even worse with the screenplay where he had three accomplices (Kanika Dhillon, Mushtaq Sheikh & David Benullo); patchy writing peppered with crude jokes and lines that fell flat! You hired an Academy Award winner, Martin Walsh (Chicago) who edited all the wrong things (read action) from the film; part of the blame on the Indian editor, Sanjay Sharma; the film dragged and could’ve been good 20-minutes shorter. If you are thinking of a sequel, please do not work with any of them.
Regarding music, please give a show-cause notice to Vishal-Shekhar as well for doing a half baked job. One hit song does not create a great album but they just managed to save themselves with Chammak Challo, which became a bigger hit because of Akon and Kareena. Raftaarein and Dildara were also good songs but not smash-hits that are expected for a film like this. And what was that Criminal song? Choreographer Ganesh Hegde made it look like a B-grade party number focusing on everyone’s bum! Also, I hope you didn’t pay for any of the special appearances as all of them were disappointing. Priyanka Chopra, Sanjay Dutt and Rajnikanth, all were wasted in their cameos. If you did pay, please deduct from Mr. Sinha’s pay package.
Your charm worked in the film and made it watchable but your decision to wear that horrible wig in the first half is beyond me. I understand that you tried to please everyone with this film but that’s not possible. But keep trying different things, some will work and some won’t but that’s how generations will remember you, apart from the guy who brought romance back to Hindi cinema.
My rating for the film: ** ½ Two and a half on five