Vishal Ko 7 Khoon Maaf

Pic Source: Wikipedia

A couple of weeks ago, I had written a post on The Genius of Vishal Bhardwaj and had great expectations from his next film, ‘7 Khoon Maaf’ based on Ruskin Bond’s short story, ‘Susanna’s Seven Husbands’ (adapted for screen by Vishal and Matthew Robins). It’s been little over a week since the film’s release and a lot has been said about it, good, bad and ugly. Though I did not love the film, I still think Vishal is amongst the best filmmakers we have in India today and his weakest is eons better than many others’ best. So what worked and what did not work for 7 Khoon Maaf… here’s my list of 7 things (plot spoilers ahead for those who haven’t seen the film)

Screenplay – A killer plot but a very straightforward narrative did not help the film. The whole world knew that Susanna (Priyanka Chopra) is going to murder her seven husbands in the film but one expected some surprises and some twists throughout… the murders were lined up like a multi-course meal and we got entrée after the hors d’ourves as promised; in fact there comes a message at the interval point – ‘4 more to go!’ The film is full of brilliant moments and images like a Persian cat walking down a grave made of snow; John in a blue negligee playing chor-police; Susanna asking her poet husband, “who is Mukarrar” when he praises her couplet by using the Urdu word that means ‘again’; and Neil Nitin Mukesh dangling his amputated leg in his wife’s face, amongst many others. However, they somehow do not come together to leave a hangover like Vishal’s earlier films did.

Priyanka Chopra – She dazzled in Vishal’s Kaminey but could not really pull off a complex character like Susanna. Not her fault, she tried and tried hard but that effort showed and she never became Susanna like she became Sweety in Kaminey or Kareena became Dolly in Omkara or Tabu transformed into Nimmi in Maqbool. She shines in a few scenes but not throughout the film. The writing also did not support her as you neither feel bad for Susanna, nor you hate her. She moves from one marriage to the other but there is just so much happening that you’re left to wonder if she’s started to enjoy it or is a pained soul.

Climax – What saves the day is the superb twist in the end… the film lifts in the last ten minutes and Priyanka also delivers her best especially in the scene where she says, “this time I will drink his blood…” She appears sinister and then the surprise.

Music – A brilliant soundtrack helps the film move forward. Vishal Bhardwaj and Gulzar once again create magic especially with the song, ‘Daarrling’ (vocals – Usha Uthup and Rekha Bhardwaj) and ‘Bekaraan’ (vocals – Vishal Bhardwaj). The two rock numbers one after the other distract and only one would’ve been sufficient.

Cinematography – The scenes are set to create a mood and the lighting is dim… Vishal conceptualizes the scenes brilliantly and Ranjan Palit shoots them like never before. 7 Khoon Maaf looks like a brilliant piece of art but falls short of being a brilliant piece of cinema.

Make-up – The moment Susanna first appears on screen, you do not notice her but you notice her bad prosthetic make up that makes her look fake. A powerful scene is ruined with everyone discussing her cakey make-up around you. Of course, her journey from a young beautiful army wife to a middle aged frustrated woman requires her to look different but technical flaws like this take away from the emotion.

The husbands, the supporting cast – Some worked and some didn’t but the film has a very interesting ensemble cast. Annu Kapoor as an opportunistic policeman, Keemat Lal is brilliant and so is Irrfan Khan as Wasiullah Khan, a gentle poet by the day and a masochistic lover by the night. Neil Nitin Mukesh as Major Edwin Rodrigues, an insecure and jealous husband is good while the Russian actor, Aleksandr Dyachenko as Nicolai Vronsky is just about ok. Naseeruddin Shah as Dr. Modhusudhon Tarafdar is miscast as you just do not relate to him talking with a Bengali accent; and John Abraham as a drug addict rock star has nothing much to add. Vivaan Shah makes a confident debut and is able to manage the growth in his character over the years (though make up fails him also).

The burden of expectations is such that minor mistakes get magnified and a little disappointment is devastating. 7 Khoon Maaf also suffers from not matching up to the humungous expectations of Vishal’s devoted fans. But Vishal, 7 Khoon Maaf to you as well and we accept your take on Susanna and eagerly await your next with the same expectations (fans never learn, you see)

My rating: *** Three stars on five

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The Genius of Vishal Bhardwaj

He is a composer, a playback singer, a writer, a producer and a director; he excels in all these fields and is amongst the finest filmmakers in the country today.

He has directed five brilliant films and his sixth one, 7 Khoon Maaf is already creating a lot of excitement in the filmy circles. He is Vishal Bhardwaj who has made delightful children’s films like Makdee and The Blue Umbrella and films that delve into the dark human emotions such as Maqbool, Omkara and Kaminey.

His adaptations of Shakespeare and Ruskin Bond have opened doors for more literary adaptations in the Hindi film industry. His musical compositions mean different sounds, unusual playback combinations and haunting melodies. The genius of Vishal Bhardwaj has not yet been fully discovered by the Indian film industry and something tells me that soon the whole world will sit and take notice of this brilliant filmmaker.

Here’s a look at his directorial ventures that have helped redefine Bollywood in the last decade…

Click here to read my full post that appeared on nowrunning.com on January 23.