Dabangg 2

Lazy film-making at its best

Pic source: Wikipedia

I watched Dabangg 2 in the heart of Manhattan at a multiplex in Times Square, and did not expect the audience response I witnessed… people whistled, clapped and shouted Salman Khan’s name as the opening credits rolled with visuals from the first film (Dabangg, 2010). That’s the amazing star-power of the film’s lead actor who has the same effect on the desi audience as Edward Cullen on teenage (and slightly older) girls. The cheering returned with the first fight sequence, with the song where Malaika Arora Khan aka ‘Munni’ appears and then later with Kareena Kapoor’sFavicol’ (sic) item song. It seems everyone enjoyed the film or the whole ritual of watching a Salman flick and to be honest, I did too, but films like these are like doing a shot of tequila… you do it because everyone in the party is doing one and then you forget about it. I know, there’s little sense in that comparison but there’s little sense in cinema like the Dabangg franchise.

Dabangg 2 is nothing but an average copy of the much smarter first film. Right after the first fight sequence you know the director, Arbaaz Khan along with the writer, Dilip Shukla, are lazy filmmakers. There is nothing in the film that you haven’t seen before. Abhinav Kashyap, the director of the first film presented it as a cheesy action-comedy-romance that also surprised you at many levels. In this one, there are no clever lines (remember, “thappad se darr nahi lagta saheb, pyaar se lagta hai”) and even the action pales in comparison. It is Salman porn at best and the filmmakers are simply cashing in on that. I don’t have anything to say about the performances by Sonakshi Sinha, Arbaaz Khan, Vinod KhannaPrakash Raj and Deepak Dobriyal, as other characters really don’t matter in this film.

While I enjoyed the experience of watching this film, I wonder if I will ever look back at it as a film-buff. It fits into the convenient category created by Bollywood called, “mindless cinema” and the blame is on the audience. Yes, we may be enjoying this stuff today but we do deserve something better from our filmmakers who have become incredibly lazy and only care about the box office. Movies like Dabangg 2 are like Bollywood’s American Pie and Final Destination series and let’s not let them define what Indian cinema is all about. Come on Bollywood filmmakers, we’ll tolerate and many times enjoy these mindless flicks, but bring out the stuff that makes us think, makes us cry and makes us fall in love again with your art.