Rowdy Rathore

Rain is good, film is bad…

Pic source: Wikipedia

I enjoyed Wanted and Dabangg and Singham… so I am not against big budget masala films that have exaggerated, and at times ridiculous plots. But I am against badly made films that are made with one assumption in mind – that the audience is dumb. Prabhudheva’s Rowdy Rathore featuring Akshay Kumar and Sonakshi Sinha falls in the latter category. Mindless entertainment if done well works but that also requires some thought and not mindless collation of scenes like Rowdy Rathore (RR) – 15 comic, 12 emotional, 11½ action (½ extra for slow motion), 10 regressive, 5 sexist, 35 WTF was that, peppered with a zillion average songs (music – Sajid Wajid).

I have talked about the best ways to enjoy such films earlier  in my post about Salman Khan’s Ready; it essentially tells you to give in and laugh at the stupidity you see on screen. I tried doing all that during RR but with limited success. The first forty-five minutes of the film are unbearably bad and require all your will power and laziness combined to not leave the theatre.

At the beginning of the film, we are introduced to Shiva (Akshay), a small time thief / con-man who has this weird theme song-cum-slogan – Chin Ta Ta Chita Chita (the director very kindly explains the meaning in the second half). We are also introduced to Paro (Sonakshi), a girl from Patna who is visiting Mumbai for a wedding and falls for the first guy she sees on the streets; it doesn’t matter if he’s a thug, in fact his honesty about his ‘profession’ impresses her the most. Her hobbies include displaying her ample midriff and dancing skills. Ok, now forget Sonakshi till the last half an hour of the film where she’ll make an appearance again for 3 scenes and another dance number. At this point, the director adds a lot of confusion with an ornate wooden trunk full of teddy bears and a little girl; a case of mistaken identity (we meet Akshay Kumar 2 aka Vikram Rathore); angry weapon-wielding goons from Bihar, running around the streets of Mumbai. There is however one scene before the interval that is thoroughly enjoyable, where our hero is badly injured – has been stabbed by a 15-inch knife and has some trouble with a blood vessel in his brain. But just like Jaadu, the sunlight loving alien from Koi Mil Gaya, he regains his energy and powers with rain drops. I must applaud the special effects team for creating the most impressive first rain drop in that sequence and tracing its journey from the clouds to Rathore’s forehead.

The action shifts to a small lawless town in Bihar in the second half; and we get to solve the mystery of the mad goons who visit Mumbai with swords, axes and lathis. Writer, Shiraz Ahmed and director, Prabhudheva add everything here to make it 90s style masala potboiler – there’s abduction, rape, murder, ugly giant villain, song, dance, forced comedy, car blasts, dhishoom-dhishoom and a lot more. All this also does not make RR an enjoyable, mindless flick.

Rowdy Rathore is amongst the worst films I have seen in the recent times but it still doesn’t beat Akshay’s other best worst films – Chandni Chowk To China and Tees Maar Khan. Watch it if you are a big Akshay fan or just save your hard earned money.

 

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